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New Longchamp SoHo Store

Longchamp just openied La Maison
Unique Longchamp, the new mooring for the brand
in the USA, downtown SoHo, New York. Longchamp's
one hundredth boutique worldwide as well as its
new professional trade showroom is housed spectacularly
on a surface area of more than 9,000 square feet.
It will offer the full line of women's and men's
fashion accessories.
Longchamp entrusted its interior design to the
creative eye of London designer Thomas
Heatherwick.
The volume of the space is brilliantly and innovatively
characterized with touches of humor here and there
and is in perfect harmony with the key brand values
of Longchamp: chic, creativity, pleasure, appealingly
fresh. As stated by Philippe Cassegrain, CEO of
Longchamp, "This project is in no way a new
sales concept to be deployed the world over, It
is, however, a unique architectural ensemble to
be appreciated as a one-of-a-kind event."
Longchamp.com
August 29 , 2006
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AngloMania:
Tradition and Transgression in British Fashion

AngloMania focuses
on British fashion from 1976 to 2006, a period of
astounding creativity and experimentation. Over the
past 30 years, British fashion has been defined by
a knowing and self-conscious historicism. In their
search for novelty, designers have looked to past
styles with an appetite that is as audacious as it
is rapacious. Focusing on their postmodern, historicizing
tendencies, this exhibition presents a series of
tableaux based on Britain's rich artistic traditions.
The irony of satirical prints, the romance of landscape
paintings, and the glamour and bravado of grand manner
portraits are evoked through a wide spectrum of British
designers.
The exhibition is set in the Metropolitan
Museum's English period rooms-the Annie Laurie
Aitken Galleries-to create a potent dialogue between
the past and the present.
The exhibition and its accompanying book are made
possible by Burberry.
Anglomania
defined on Wikipedia.
May 30 , 2006 |
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Feeding Desire
via Cooper Hewitt


Feeding
Desire : Design and the Tools of the Table
A journey through the evolution
of Western dining from the Renaissance to the present,
Feeding Desire showcases objects from Cooper-Hewitt's
world-class collections and the Tiffany Archives.
The exhibition will address the development of utensil
forms, innovations in production and materials, etiquette,
and flatware as social commentary.
The exhibition will take place between May 5 through
October 29, 2006 at Cooper
Hewitt in New York City
May 22 , 2006 |
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Arts Journal:
The Daily Digest of Arts, Culture & Ideas

ArtsJournal is a weekday digest
of some of the best arts and cultural journalism
in the English-speaking world. Each day ArtsJournal
combs through more than 200 English-language newspapers,
magazines and publications featuring writing about
arts and culture.
Direct links to the most interesting
or important stories are posted every weekday beginning
at 5 AM PT on the ArtsJournal news pages. Stories
from sites that charge for access are excluded. If
you encounter a registration screen after clicking
an ArtsJournal link, try logging in as either 'ajreader'
or 'ajreader@artsjournal.com' with the password 'access'.
http://www.artsjournal.com
May 15 , 2006 |
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Whitney Biennial
2006

Begun in 1932, by the Whitney Museum of American
Art, the Whitney Biennial is a world-renowned showcase
for recent American art, typically by young and lesser
known artists. The Whitney show is generally regarded
as one of the leading shows in the art world, often
setting or leading trends in contemporary art.
Whitney
Biennial 2006 Online
Peace
tower 2006 by Mark Di Suvero online
Main
Whitney website
May 7 , 2006 |
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Artomat

Art-o-mat, vending art and culture since 1997.
What is an Art-o-mat? Art-o-mat machines are retired
cigarette vending machines that have been converted
to vend art. There are 82 active machines in various
locations throughout the country. [ find
an art-o-mat near you. ]
What do you get from an Art-o-mat? The experience
of pulling the knob alone is quite a thrill, but
you also walk away with an original work of art.
What an easy way to become an art collector. [ art-o-mat
samples ]
Want to be an Artomat artist? There are around 400
contributing artists from 10 different countries
currently involved in the Art*o*mat project. We are
always searching for fresh work. [ submission
process ]
Artomat.org
April 23, 2006 |
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| Border
Film Project

Border
Film Project is made of three friends - a
Rhodes Scholar, filmmaker, and a Wall Street
analyst - who spent three months on the U.S.
Mexico border filming and distributing hundreds
of disposable cameras to two groups on different
sides of the line: undocumented migrants crossing
the desert and Minutemen volunteers trying to
stop them. To simplify the complexities of immigration
and the U.S.-Mexico border, and to show the realities
on the ground. To date, we have received more
than 1,500 photographs and more continue to arrive
everyday. The pictures speak for themselves.
They capture the humanity present on both sides
of the border. They tell stories that no news
piece or policy debate or academic study could
convey. They are non-partisan and inclusive.
Border
Film Project
April 7, 2006 |
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| Paul Klee
in America

Klee in America at Neue Gallerie in New York city,
March 9 - May 22, 2006. Paul Klee (December 18, 1879 – June
29, 1940) was a Swiss painter. Klee worked with many
different types of media – oil paint, watercolor,
ink, and more. He often combined them into one work.
He has been variously associated with expressionism,
cubism and surrealism but his pictures are difficult
to classify. They often have a fragile child-like
quality to them, and are usually on a small scale.
Neue
Gallerie online
March 27 , 2006 |
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| Juergen
Teller

Juergen Teller was born in Erlangen, Germany in
1964. He studied at Bayerische Staatslehranstalt
Photographie in Munich, Germany before moving to
London in the early 1980s. In England, Teller was
introduced to the world of fashion photography and
used his assignments at i-D, The Face, Index and
W magazines as resources from which he could nurture
his own photographic sensibility. His work is the
subject of monographs by Taschen and Scalo and he
has had solo exhibitions at the Mnchner Fotomuseum,
Museum Folkwang, Essen, and Galleria d'Arte Moderna,
among others, and has been included in exhibitions
at the Tate Modern in London and Programa Centro
de Arte in Mexico. This year, Teller received the
Citibank Photography Prize. Juergen Teller continues
to live and work in London.
Lehmann
Maupin gallery online
Foundation
Cartier current show
March 20 , 2006 |
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| Tina Ratzer
Textiles

b. 1971, Danish Textile Designer. Ratzer graduated
from Designskolen Kolding in 1998, specializing in
industrial design. Her work has a simple, graphic
expression and her patterns are a composition of
geometric lines and planes. In the process of creating
her pieces she unites a painter’s techniques
for handling images with artisan workmanship. She
uses just a few colours, combining them to create
a certain tension, the visual qualities of which
are amplified when the blanket is in use. Her blankets
are made from finest-quality Australian organic merino
wool. Tina Ratzer has participated in numerous exhibitions;
her work has been featured i.a. at the annual censored
exhibition KE at Charlottenborg in Copenhagen. In
2004 she created a large wall-hanging for the Danish
Design Centre. Her work has been acknowledged with
several grants, including one from the Danish Arts
Foundation.
http://www.ratzer.dk
March 12 , 2006 |
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David Smith
Retrospective

David Smith, Guggenheim, New York, February 3 though
May 14, 2006
Widely considered the greatest sculptor of his generation,
David Smith (1906–1965) created some of the
most iconic works of the 20th century. Marked by
the use of industrial materials, especially welded
metals, and the integration of open space, Smith’s
three-dimensional version of Abstract Expressionism
revolutionized the art of sculpture in the U.S. and
around the world. Organized on the 100th anniversary
of the artist’s birth, David Smith: A Centennial
presents over 120 of his greatest sculptures, as
well as a selection of his drawings and sketchbooks,
from his entire 33-year career as a sculptor.
Guggenheim
Museum, David Smith overview online
February 25, 2006 |
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Moma = Online
Projects

Museum sponsored online projects and web installation
created to explore new art forms that exist only
on the Web. These commissioned online projects explore
new forms of storytelling — taking a fresh
look at what constitutes an exhibition — within
the unique space of the personal computer screen.
The one on one with the audience makes these projects
both personal and having a different type of impact
that a typical installation in a physical space.
Shown here: by Peter Halley, Exploding Cell interactive
project.
Moma.org
online
SFMoma.org
online
February 15, 2006 |
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Droog Design
Collective

Droog is a brand and a mentality: design of products
that do what they should and think about why they’re
doing it in the first place: function? fun? wit?
criticism? All of the above?
Droog is a curatorial collection of exclusive products,
a congenial pool of designers, a distributed statement
about design as cultural commentary, a medium, working
with cutting edge designers and enlightened clients,
taking the production and distribution of its collection
into its own hands, being unique in its conceptual
and contextual approach towards design.
On this site you will find information on Droog Design, Factory and Outlet
in a 100% hypertext® environment. This means that every word on this site
is a link, which when clicked will generate associated information displayed
on the right. A click on a sentence in this ‘concordance’ will
open the associated text in this window.
Droog
Design online
February 7, 2006 |
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| Robert
Rauschenberg: Combines

The Metropolitan Museum of Art, December 20, 2005–April
2, 2006, Iris and B. Gerald Cantor Exhibition Hall,
2nd floor
This exhibition is a comprehensive survey of the
highly inventive body of work that Robert Rauschenberg
(b. 1925) terms "combines." Among the 67
works in the show are a number that have not been
shown publicly before, as well as some of the artist's
best-known objects, such as Canyon and Monogram.
With these mixed-media works of art, Rauschenberg
reinvented collage, changing it from a medium that
presses commonplace materials to serve illusion into
something very different: a process that undermines
both illusion and the idea that a work of art has
a unitary meaning. Appearing as either wall-hung
works or as freestanding objects, the combines are
composed as syncopated grids that draw on materials
from everyday life and the history of art.
The
Met Online
February 1, 2006 |
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